References
Awards – Press – Reviews
Master craftsman´s diploma
Germany Federal Award
Gold Repair Service Taylor
REVIEW “Guitar Acoustic” 6/2018
GUITAR ACOUSTIC issue 6/2018
REVIEW of model CWG23s Oveng HGM “Petteri Sariola” Signature
REVIEW “Akustik-Gitarre” 05/2006
REVIEW “Acoustic Magazine” (UK) 10/2009
Acoustic Magazine (UK) issue 34 (10/2009) writes about the “Cuntz CWG23s+ IndianRose”:
“You can really hear the meat in the upper-register notes and the Cuntz’s amazing balance really comes to the fore”…”Even the best photography can’t capture the level of thought that has gone into the construction and detailing”…”Outstanding build quality”…”This is the work of a top-drawer artisan”
REVIEW “Amazona Online-Magazine” 06/2009
“The string action is superb and spoils the left hand with energy-saving playing. Not even the slightest buzz or other impurities can be heard in the sound development of the CWG23s+, all chords and voicings sound clean and clear on the entire fingerboard. The tone development of the guitar is exceptionally strong and leaves nothing to be desired in terms of the frequency spectrum.”… “Every note spoils with a direct response”… “This impression continues when used with an amp: the Schatten-Design-Pickup actually delivers an impressive sound beyond the usual piezo tin sound.”
“The guitar is delivered perfectly set up and inspires from the first note with its direct response and its multi-faceted, well-balanced basic sound, in which the entire frequency spectrum artfully takes its place.”… “Congratulations on a perfect guitar, Mr. Cuntz!”
REPORT “Wirtschafts Echo” 06/2009
REPORT “TOP-Company-Link” 2009
REVIEW “Grand gtrs” 06/2007
“Form and function in perfection!”
Reviewed: CWG 23s+ Muving Custom
REVIEW “Gitarre & Bass” 01/2005
Reviewed: Cuntz CWB BodyNeck Weissenborn guitar, flamed maple top, back & sides.
“… Indeed, the maple guitar has what many lapsteel players wish for: Assertiveness (…) due to the exactly fitting sound spectrum, which stands out well from an acoustic ensemble with guitar, ukulele or bass. (…) you can get the sound out of the BodyNeck that Lindley calls ‘larger than life’. …”